SMCLA News Magazine

Warrior Assembly

September 20th, 2009 by Alexandra Milsom

by Allison Conant and Ed Anolin

Let us see.
Let us do.
But do before we see.
On the other hand see before we do.

from Mantric Keltic Incantation
a poem by Chögyam Trungpa Rinpoche

available here

Chat with Alexandra Milsom, August 7, 2009
(Excerpt)

10:17 PM
me: u there alex?
10:19 PM
Alexandra: yes! hey!
me: ah it works
Alexandra: where you at?
10:20 PM
me: home
just set up ichat to work with google talk
nice
welcome back
Alexandra: yep
thanks!
how was WA??? did it happen yet?

me: i leave tuesday por la mañana
10:21 PM
me: =]
Alexandra: coooooo
10:22 PM
are you going to write up a blurb for the la.shambhalatimes.org?
please?
thanks!

me: taking photos
i think allison c is gonna write something
Alexandra: and a little bit of stuff for your trip to kalapa valley
cooooooo!!!

Allison Conant’s Response (Photo-Commentary by Edgar Anolin)

Ah, Alex Milsom…

What did I learn at Warrior Assembly this summer, you ask? Mmm…. Not easy to put into the words. Not easy at all.

Well, here goes:

I learned where Nova Scotia is. I learned that the Official Shambhala Breakfast of Champions the world over is oatmeal and hard-boiled eggs. I learned that they do give speeding tickets in Halifax, but the police are very friendly. I learned what a tidal bore is and I learned what a busker is. I learned that you really do need a sheet when sleeping on a plastic mattress. I learned about Retreat Smokers. And I learned that if you keep your sunglasses on you can chop twenty-five pounds of onions every day for ten days without crying.

I learned that the strangers I first judged and kept at bay would, if I let them, become people I cherish, people that I know I will love until the end of my days.

I learned that the end to all wars lies within our grasp, and that it takes the strongest and most courageous of warriors to comfort someone in tears.

I learned that the rudest little places, bunks made out of two by fours become havens, especially when shared with folks you care for. That no matter how hot or cold or wet and windy it gets, there is always a place to call home.



I learned that astonishing things happen in the most unlikely places — in the middle of nowhere, on a hayfield laid bare by hurricane winds there can be ladies in tea dresses and sparkling jewels, men in suits, china and silver, bagpipes, and Chopin.

I learned that there is beauty in everything – mildewy towels, stacks of cereal bowls, squash on a red table, and plastic-walled shower rooms.

I learned about some ineffablesomething, call it dralacall it enriching presence call it whatever you like. I know it exists because even though I am a thousand miles awayI can still hearthe anthem ringing in my head, still hear the soundof the flags snapping in the wind, can still see the sun shimmer through the green of [aspen?] leaves above me. And every time I look at Ed’s pictures I see andsmell andtaste andfeel it all over again. Because it’s in me. I don’t know what it is. And I don’t care to give it a name. I’m just glad it’s there.

Drala Walk (Slideshow)

I learned that those days of great warriors and great queens and wise ministers are no mere myth, no fantastic legend – these people exist. I’ve seen them, listened to their council, been buoyed by their courage, and been inspired by their generosity.

I learned about Kalapa Valley - an ocean of gold and butter. It is what I always dreamed home would be like – comfortable, beautiful, welcoming, a haven. It is a gift from a King to all his people. Magnificent and vast, familiar and close, unbreakable and broken wide open — like my own heart.

Click any image to open gallery

I learned how precious it is to be the given the opportunity to fall and get up again, and again, and again.. How rare to be the freedom and license to be truly outrageous. How easily laughter follows tears and how much comfort there is to be taken in the smallest of things – a clean sheet, a pillow, a shoulder to cry on.

Open your eyes wide and let it blind you with brilliance.
When this transmission is complete, nothing will be left-
Only a rainbow.
Looking close, you will see Shambhala vanishing into the heavens.
That is where I will go,
Since that is where I came from.

from “Shiwa Ökar and the Valley of White
a poem by Sakyong Mipham Rinpoche

I learned that we have been given a directive — to go out into the world and engage as best we can. That in this lifetime we “manifest no retirement”. That we are all truly kings and queens and that we can reveal the sanity of a situation in any moment. I learned how precious it is to be given the weapons we need to manifest our best selves. To be given a command and to be trusted to carry it out. And when I begin to doubt myself, and I do – Lord knows I do – I learned that there are a thousand, thousand warriors ready to come to my aid at a moment’s notice.


But I didn’t know until I got back, until I sat down in my room far away from the pure fine air at DDL, far away from the sound of Handel’s Water Music mixing with the rain on the roof of the pavilion. Back in LA where there were no warriors poised beside me taking their oaths, nor was there a dragon in the corner keeping watch. There was only me in my bedroom with the inkpot I bought at Target and the paper I got from Staples wondering if it would be the same. There were fires raging, and work starting, and my checkbook tightening, and my head aching. And there was doubt. Would this practice ground me? Give me the strength it had? Would I see the beauty? The magic? Or would I just feel duped?

It was in that moment, bringing brush to paper that I learned how truly unbreakable the Vajra Grip is. And I learned that there is enduring magic in the practice. Transformative magic.

And that, Alex Milsom, was what I learned at Warrior Assembly this summer.

Los Angeles Center Welcomes the International Social Action Film Festival this Fall…

September 15th, 2009 by Alexandra Milsom

by Ron Schultz, Founder ISAFF

Angelinos, mark your calenders: On October 10, 24, and November 7, our center in Eagle Rock will host the second annual International Social Action Film Festival (ISAFF). After running festivals in nine countries, sixteen cities and seventeen different venues in its first year, this extraordinary social entrepreneurial effort returns home to Los Angeles.

Join us over the course of the three nights of the festival and see a variety of films, from short-shorts to a feature length documentary. All of the films screened highlight the remarkable and often selfless work of local and international social action organizations and the efforts they are making within our communities. These films are a heartening and uplifting testament to our ability to help others and realize our connection to our community.

We will screen the only feature-length film of the festival on November 7: the award-winning documentary — War Dance. This moving story of the struggles and resilience of children living in a Ugandan war region and their remarkable presence in a national performance competition demonstrates the powerful impact our actions can have on the most difficult situations.

On October 10th, join us for a pre-festival screening of a feature documentary — Recalling a Buddha, about the life of the 16th Karmapa.

For a special treat, stay late on November 7 for a post-festival screening of Waiting for Tomorrow, the work of local filmmaker and sangha member, George Gomez.

For a full listing of ISAFF events and screenings, click here.

To make reservations. click here.

Admission by donation.

Los Angelinos Bravely Endure Cold Weather to Attend Rigden Abhisheka

September 12th, 2009 by Alexandra Milsom

by Alex Milsom

When I woke up Monday morning this week, on a bunkbed in an uninsulated cabin in the Buddha North fields of Dorje Denma Ling, I had one question on my mind: is this really worth it? Yes, I had slogged through my Rigden Ngöndro, yes, I was excited to see the Sakyong and find out what this mysterious Rigden Abhisheka was all about, but it was definitely too cold to get out of the sleeping bag to go to morning drill with the kasung and it was certainly too cold to practice! I’m no Milarepa, after all! I asked myself, “What am I doing here? What is anyone doing here when they could be living in California?”

Fortunately, I ran into some fellow Angelinos – Pearl Werbin and our fearless center co-director Melanie Klein. They seemed to be better-prepared with elegant some shawls and jackets. Despite the threat of zero-degree weather (that’s Celsius; and whatever that is in Farenheit, it sounds cold to me!), we managed to remain cheerful throughout.

Tatamagouche, a little outpost village a couple hours from Halifax, is the closest urban area to Dorje Denma Ling, the Shambhala land-center located in Nova Scotia. For those of you who resemble me in your total ignorance of Canadian geography, Nova Scotia is a peninsula – quite nearly an island – connected to the Province of New Brunswick. It is nearly at the same latitude as Maine and is also nearly the size of that state. In other words, it is quite remote. People there say “eh” sometimes, they don’t switch lanes gratuitously like we do in L.A., and are even friendly at ten at night in the drive-through line at the fast-food restaurant when you can’t figure out their coins and you are used to nice weather.

View Larger Map

Did I mention that it’s cold there?

Despite my early-program jitters and my fear that I would freeze to death in my cabin, upon seeing fellow Angelinos and seeing all the people with whom I had endured dathüns, oryoki meals, endless toasts, long hours in shrine rooms all over the world, and Vajrayana transmission, I knew I was where I belonged. Next time, though, I will bring a warmer jacket.


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